BRINGING BOSCH ALIVE THROUGH MULTIMEDIA
BRINGING BOSCH ALIVE THROUGH MULTIMEDIA
Author(s): Voica PuşcaşiuSubject(s): Social Sciences, Language and Literature Studies, Economy, Literary Texts, Fine Arts / Performing Arts, Geography, Regional studies, Library and Information Science, Maps / Cartography, Information Architecture, Electronic information storage and retrieval, Applied Linguistics, Communication studies, Philology, ICT Information and Communications Technologies
Published by: Studia Universitatis Babes-Bolyai
Summary/Abstract: When one talks about “digital art” there are a great number of very different manifestations that could potentially fall into this category. One of the first things to keep in mind is the fact that as a term “digital art” does not refer to any particular style or aesthetic, thus the great variety. Much rather it is a medium through which artists choose to present their ideas. However as with all things digital, this can take on a lot of different facets, the digital turn has provided not only the opportunity for art archival and dissemination, but also as an extensive creative tool whose only limit lies in the imagination and/or technical skill of the author. To put it simply, digital art can range from works created entirely with the use of a computer and software, to alteration done with the help of the digital medium. It can include appropriation of other classical works that receive new life and meaning through this approach.
Journal: Studia Universitatis Babeș-Bolyai - Digitalia
- Issue Year: 62/2017
- Issue No: 1
- Page Range: 133-137
- Page Count: 5
- Language: English
