Музеєфікація церковного мистецтва Прикарпаття (факти, постаті): друга половина XX - початок XXI століть
Museumification of religious art of Carpathian Region (facts and personalities): in the second half of the XX century – early XXI centuries.

Summary/Abstract: The article tries to explore historical events, cultural facts and personalities in the museum study of religious art of Carpathian region in the second half of the XX century – early XXI century. Methodology consists in the use of biographical method and the method of analysis of art on the principles of comprehensiveness and consistency. It is also important to assess the development prospects of religious art in Carpathian region, historical research and artistic process in this area. Scientific novelty. This study is the first attempt to present full information about the saved sacred works of art of Ivano-Frankivsk region in the second part of the XX century. The article explains little known facts that accompany the museum study and classification of religious monuments of Carpathian region. The researches and conservations of memories are important in the study of Ukrainian church art in times of atheistic Soviet regime. In this case, in 80 years, such figures as the V. Melnyk, M. Aronec and others stand out particularly. They examined the old churches, independently sought icons, church utensils, kept those works for museums, took care of their restoration, studied, took into custody of state, etc. Conclusions. Ivano- Frankivsk Regional Museum and the Museum of Carpathian Art are famous religious centers of culture and art of Carpathian region and origin of these collections is very important. The exhibition of icons of Art Museum in Ivano-Frankivsk was created by the art expert V.Melnik and is the most valuable part of the collection. These are the icons of Eastern Carpathians and Pokuttya, baroque wooden sculptures, old books and liturgical church clothes. Many icons were recovered by V. Tverdokhlib in the early XXI century.

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