«Фантазія для джентльмена» X. Родріго: втілення барокових традицій іспанської гітарної музики
J. Rodrigo’s «Fantasia Para un Gentilehombre»: incarnation of baroque traditions of Spanish guitar music

Summary/Abstract: The study is devoted to revealing the Baroque traditions of the guitar music of the Spanish composer Gaspar Sanz in Joaquin Rodrigo’s «Fantasia para un gentilhombre». Methodology. The research methodology is based on the use of phenomenological, comparative, structural-functional methods that provide more in-depth and versatile study of the chosen musical phenomenon. Scientific Novelty. The scientific novelty of the study lies in the introduction of the well-known guitar opus of the Spanish composer of the 20th century into circulation of analytical musicology, as well as the involvement of baroque sources – the guitar music of Gaspar Sanz in the context of its contemporary artistic implementation. Conclusions. The conducted analytical experience reveals the semantic links of the guitar work with its original sources – baroque dances from the manuscript of G. Sanz (villano, ricercar, espanoleta, canarios and others). Their neoclassical restoration is recreated thanks to the methods of citing old dance tunes in new artistic-style conditions, as well as the use of national traditions of guitar playing.

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