Pasolini : le cinéma et la langue
Pasolini : le cinéma et la langue

Summary/Abstract: The movie-director persona of Pasolini cannot be separated from the cinema theorist one, as he considers that the 7th Art is created in an utterly unique and universal audio-visual language. Resorting to linguistic and semiologic elements, Pasolini sets out to begin scientific research on the cinematic art; moreover, he believes that the cinematic language is a double-articulated language instrument, being granted an expression manner that embodies the audio-visual reproduction of reality, impossible to confront with other languages, as its arbitrary and conventional nature only concerns itself.

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