Nom, objet et leur seuil poétique. (Peut-on les amener au théâtre ?)
Nom, objet et leur seuil poétique. (Peut-on les amener au théâtre ?)

Summary/Abstract: A direct experience of Real, which reveals items and words in their mechanic, is to create simultaneously objects and a language folded around the liberty of its new objects; it is, at the same time, a denial of the existence of ordinary (what is considered ordinary is nothing than poetical concatenations out of the practical reality; any mechanic, on a closer look, looks hallucinatory.) and of absurd (as an historical dependence, a way of functioning according to institution and meaning), by means of poetic (solidarity in difference) and dramatic (solidarity in opposition). On the threshold between distinct or opposed objects/names is developed the speech in Eugen Ionescu’s plays.

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