Stravinsky’s dialogicity
Stravinsky’s dialogicity

Summary/Abstract: Stravinsky’s dialogicity is considered in the article in the broader cultural context of the era of "the end of the Renaissance and the crisis of humanism" (N. Berdyaev). The activation of dialogical potencies in European culture from the late 19th and early 20th centuries found in the works of Russian masters the most complete and consistent objectification. Stravinsky's cultural "standing outside" (M. Bakhtin), cultural "wandering" (V. Bibler) turn him into a personification of the creative universality of the 20th century.

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