Внеевропейские мотивы в гитарной музыке Роланда Дьенса: «tunis, tunisie», «trois saudades»
Non-European motives in the guitar music of Roland Dyens: «Tunis, Tunisie», «Trois saudades»

Summary/Abstract: The aim of the work is to study the influence of non-European (African, Latin American) musical archetypes lying in the sources of Tunisian and Brazilian folk music on the style of Roland Diens in the guitar cycles ”Hamsa” and "Three saudadas”. Methodology. The research methodology is based on the use of phenomenological, comparative, structural-functional methods that allow to expand the horizon of cognitive search and extract critical characteristics of studying the phenomenon.

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