Odour-editing. Intermediality and „intersensuality” in Suskind’s and Twyker’s Perfume Cover Image

Illatmontázs. Intermedialitás és „interszenzualitás” P. Süskind és T. Tykwer Parfümjében
Odour-editing. Intermediality and „intersensuality” in Suskind’s and Twyker’s Perfume

Author(s): Ádám Dávid
Subject(s): Media studies, German Literature, Theory of Communication, Film / Cinema / Cinematography
Published by: Medea Egyesület
Keywords: Suskind; Tykwer

Summary/Abstract: Ádám Dávid’s article investigates the relation of intermediality and „intersensuality” between Süskind’s novel and its cinematographic adaptation, directed by Tom Tykwer, among which many paralells can be found. The first is the musical proneness: this is found in the repeated musical analogies in Süskind, who studied the piano, and in the musical composition of cinematic dramaturgy in Tykwer’s work. Dávid’s study was presented at the tenth Transylvanian Film and Media Conference.

  • Issue Year: II/2007
  • Issue No: 3-4
  • Page Range: 5-14
  • Page Count: 10
  • Language: Hungarian