MENTALINĖ KONTEMPLIACIJA W. SHAKESPEARE'O DRAMOJE
Mental Contemplation in Shakespeare's Drama
Author(s): Egidijus MažintasSubject(s): Theatre, Dance, Performing Arts
Published by: Visuomeninė organizacija »LOGOS«
Keywords: king; morality; logic; author; drama; spirit; performance; psychoanalysis; creativity
Summary/Abstract: The main attention of this article is focused on the interpretation of the phenomenon of dramatic art. This research represents ideas of dramatic pluralism, helps to realise the stress of the other sciences and their influence on the priority of analysis of a dramatic piece, and evaluation and constructive analysis by the interpretation of these works on the stage. In this precise context, Shakespeare creates his own system of symbols. By analysing the theory of the drama's author, that raises the exponent's critical and creative contemplation, it is able to introduce the audience to an interpretation of this complicated phenomenon. The dramatic analysis of historical and psychological phenomena develops the creative and cognitive capability of artists. The foundation of this method of work is psychoanalysis and the theoretical design of a dramatic piece and the interwar State Dramatic performance of Hamlet based on psychoanalysis.
Journal: LOGOS - A Journal of Religion, Philosophy, Comparative Cultural Studies and Art
- Issue Year: 2006
- Issue No: 46
- Page Range: 174-187
- Page Count: 14
- Language: Lithuanian