Бела Барток "Контрасти": специфіка виконавського втілення
Bela Bartok "Contrasts": Specificity of the embodiment
Author(s): Kateryna SigidyukSubject(s): Theatre, Dance, Performing Arts, Music, Recent History (1900 till today)
Published by: Національна академія керівних кадрів культури і мистецтв
Keywords: chamber-instrumental music; performance; interpretation; Bartok's style;
Summary/Abstract: Specificity of the performance embodiment opens interpretative resources of the embodiment on the stage of this token composition in the composer’s oeuvre. The author of the article examines the style peculiarities of B. Bartok’s music language, the features of the composer’s chamber instrumental style in the context of the performance specificity. The author's performance version (performances of Joseph Sigeti, violin, Ben Goodman, clarinet, and Bela Bartok, pianoforte) has been the research basis of this cycle performance peculiarities. It was recorded on the 13th of May in New York.
Journal: Вісник Національної академії керівних кадрів культури і мистецтв
- Issue Year: 2012
- Issue No: 1
- Page Range: 167-172
- Page Count: 6
- Language: Ukrainian