Жанрові принципи романтичної моделі тріо (на прикладі фортепіанного тріо ор.17 Клари Шуман)
Genre principles of the romantic trio model (on the example of the piano trio Op.17 Clara Schumann)

Summary/Abstract: The article is devoted to the coverage of compositional and artistic features of trio genre interpretation in the first half of XIX century. Through the prism of romantic world understanding and world perception makes an effort to distinguish new dynamic features of trio genre model on the example of Clara Schumann’s (Wik) fortepiano trio. The first time in the Ukrainian musicology makes an analysis of chamber and instrumental creative of Clara Schumann in the context of German musical romantism of the first half of XIX century.

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