HAKKI DERMAN’IN HİCAZKAR TAKSİMİNİN TAHLİLİ VE BU TAKSİME YÖNELİK KEMAN EĞİTİMİNDE KULLANILABİLECEK ALIŞTIRMALARIN OLUŞTURULMASI
ANALYSIS OF HAKKI DERMAN’S HICAZKAR VIOLIN IMPROVIZATION AND COMPOSING EXERCISES ORIENTED TO THIS IMPROVIZATION TO USE IN VIOLIN EDUCATION

Summary/Abstract: Hakkı Derman (1907-1972), one of the most important violin players in 20th century, with his execution being indigenous Turkish Music execution and his idiocratical manner, has led and influenced violin players coming after him. In this work, it was aimed to make analysis of ornament techniques, string techniques, rhythm features, personal motives and pozitions were used in Hakkı Derman’s Hicazkar taqsim, and it was aimed to make exerises starting from this point, with the aim of using violin education. Survey model was used in this work. Datas were obtained by using document review and literatüre review techniques. Hakkı Derman’s Hicazkar taqsim was notated and categorical content analysis was maked on this notated taqsim. In this direction, were understood most used ornament technique is grace note and most used string technique is legato string technique in Derman’s Hicazkar taksim. In this direction, were determined most used ornament technique is grace note and most used string technique is legato string technique in Derman’s Hicazkar taksim. Hakkı Derman presented his manner with his idiosyncratic rhythm usages and personal motives created by his ornament techniques.

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