Az állattá változások Kárpáti Péter dramaturgiájában
Becoming Animal in Péter Kárpáti’s Dramaturgy

Summary/Abstract: Should we welcome or fear the new possibilities of animalism in post-dramatic or post-anthropocentric dramaturgy? – asks Veronika Darida in her paper. Using Péter Kárpáti’s dramaturgy to support the theme, she studies how the animal may become a surpassing of the human paradigm, how it can broaden the limits of theatrical perception and transform theories of traditional presentation and reception.

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