KEMAN EĞİTİMİNDE KONUM GEÇİŞLERİNE YÖNELİK OTAKAR SEVCIK OP. 8 ALIŞTIRMALARINA İLİŞKİN UZMAN GÖRÜŞLERİ
EXPERT VIEWS ABOUT OTAKAR SEVCIK OP.8 EXERCISES RELATING TO CHANGING
POSITION IN VIOLIN EDUCATION
Author(s): Fatih Mehmet Alan, Gamze Elif TanınmışSubject(s): Education, Music, Higher Education , Sociology of Art, Sociology of Education
Published by: Sanat ve Dil Araştırmaları Enstitüsü
Keywords: Music Education; Violin Education; Shifting Position; Changing Position; Sevcik op. 8;
Summary/Abstract: The aim of this study is to indicate behaviors which should be considered and applied in changing position in violin education in accordance with the opinions of violin trainers and violin artists who have served and still serving in State Conservatory and Department of Music Teaching in Faculty of Education. In this study, source scanning method and interview method have been used in order to reach data. In source scanning which has done, domestic and foreign data were gathered. In interviews which have been had, experts have been asked questions about Sevcik exercises, Sevcik op. 8 and changing position; and their opinions have been taken. Data obtained in these interviews have been tabulated with their percent frequency values. In this study, it was concluded that, in order to correct changing position, first of all, a comfortable stance and grip are necessary; the left hand should be positioned correctly in the violin fingerboard; the thumb has an important function in changing positions moving up and down; the left hand should be flexible and soft. It can be concluded that changing position should be done using glissando but glisando should not be made feel.
Journal: SED-Sanat Eğitimi Dergisi
- Issue Year: 2/2014
- Issue No: 2
- Page Range: 109-127
- Page Count: 19
- Language: Turkish