KÜLTÜR-SANAT İLİŞKİSİ BAĞLAMINDA CUMHURİYETİN İLK YILLARINDA ÖZGÜN TÜRK RESMİ OLUŞTURMA ÇABALARI
IN THE CONTEXT OF THE RELATIONSHIP BETWEEN CULTURE AND ART; THE EFFORTS OF THE UNIQUE TURKISH PAINTING IN EARLY YEARS OF THE REPUBLIC

Summary/Abstract: Westernization movement, started in the last period of the Ottoman Empire and continued after the establishment of the Turkish Republic, is a normal result of migration from east to west. However, this process has different characteristics than the other processes of acculturation in Turkish history, because of the internal dynamics. The first one is, Anatolian people encountered with western culture by the Turks who embraced Western culture, not by Europeans due to the distance of geographical distance. Therefore the Western cultural forms just barely adopted by the public, and perceived as an imposition for a long time. The second one is the socio-cultural environment in Europe encountered the art students which sent to the west within the framework of the modernization program. In 1930's following the discussion at the issues of the relationship between State-Art-Artist and National Art some artists who are the members of " Association of Independent Painters and Sculptors" and "D Group" who paint in understanding of cubist, constructivistic or expressionistic, have been criticized in order to narrate the Turkish Revolution by the modern art forms which were the expression of depression. The events such as the Exhibition of Revolution, The State Exhibition of Painting and Sculpture, and the countryside excursions of artists, organised these years, have been directed the artists towards the national and local subjects; have tended to searches for unique style by synthesizing Turkish-Islamic Art with the principles of Western Art. Within the Western, zat, on Policies, the building efforts of the Contemporary Turkish Art have continued by the 1950's.

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