“GIVE AND TAKE”: REPRESENTATIONS OF THE POST-SOCIALIST “NEW BOURGEOISIE” IN MUSIC VIDEOS
“GIVE AND TAKE”: REPRESENTATIONS OF THE POST-SOCIALIST “NEW BOURGEOISIE” IN MUSIC VIDEOS
Author(s): Ondřej DanielSubject(s): Cultural history, Music, Visual Arts, Sociology of Culture, Sociology of Politics, Sociology of Art
Published by: Institut za etnologiju i folkloristiku
Keywords: class; post-socialism; new bourgeoisie; music videos; pop music;
Summary/Abstract: This article explores the critical question of how music videos portrayed the “new bourgeoisie” in early post-socialist music videos. Additionally, it tackles two side issues: the depiction of criminal groups and foreign countries. Unlike the “new class”, post-socialist new bourgeoisie emerged as a class that was entirely economically defined by its own material interests. Several values attributable to post-socialist “new bourgeoisie” can be discerned from the music videos: an interplay of ambitions and hedonism, cosmopolitanism as well as of patriotic narratives, and the aspiration of the new bourgeoisie to assert its culturedness vis-à-vis the “intelligentsia”.
Journal: Narodna umjetnost - Hrvatski časopis za etnologiju i folkloristiku
- Issue Year: 55/2018
- Issue No: 1
- Page Range: 67-79
- Page Count: 13
- Language: English