Kročeova kognitivna nauka
CROCE’S COGNITIVE SCIENCE

Summary/Abstract: The author shows how Croce remains limited by his first assumption of the identity of intuition and arts and their complete independence from real social and historic events; he endeavours to explain how and why Croce is much better known for what he denies, rather than for what he asserts, how the field of aesthetic psychology is determined by »an array of negations«, and that arts are not physically, notionaly, morally and essentially pleasant. The text deals with negations mainly, since they refer directly to the cognitive status of the visual presentation of intuition.

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