HIPSTERS AS A DIGITAL POST-COMMUNITY. REMARKS ON POST-SUBCULTURAL INTERNET FOLKLORE Cover Image

HIPSTERZY JAKO POST-WSPÓLNOTA CYFROWA. UWAGI O POST-SUBKULTUROWYM INTERNETOWYM FOLKLORZE
HIPSTERS AS A DIGITAL POST-COMMUNITY. REMARKS ON POST-SUBCULTURAL INTERNET FOLKLORE

Author(s): Marek Jeziński, Łukasz Wojtkowski
Subject(s): Customs / Folklore, Media studies, Cultural Anthropology / Ethnology, Sociology of Culture, Sociology of the arts, business, education, ICT Information and Communications Technologies
Published by: Wydawnictwo Uniwersytetu Jagiellońskiego
Keywords: hipsterism; digital culture; post-subculture; post-community; visuality; meaning;

Summary/Abstract: The field of theoretical analysis presented in the paper is the hipster digital culture and its visual representations. We perceive hipsters’ digital formation as post-subculture and post-community that shapes specific cultural patterns with fragmented identity, inconstant group membership or high cultural mobility. Yet they form stabile connections with other members of post-community with strong emphasis on the common meaning of codes they use and circulate in visual communication. Moreover, we argue that hipsterism operates on two levels: (1) communicative acts of hipsters that are apparent ‘visual reflections’ of their desirable lifestyles. In other words, participants of digital post-community operate with codes created by other members, but relatively more often taken from dominant culture, and incorporated into hipster-like set of meanings; (2) hipsters and their visual representations are strongly mediatized even though there is no media mechanism of legitimization of this digital post-community, therefore the media are not able to seize a dynamic of codes’ circulation within culture.

  • Issue Year: 32/2017
  • Issue No: 2
  • Page Range: 176-190
  • Page Count: 15
  • Language: Polish
Toggle Accessibility Mode