Corporeal Cinematic Environments and the Expansion of the Viewer’s Experience: Spatiality, Tactility and Proprioception in Participatory Art
Corporeal Cinematic Environments and the Expansion of the Viewer’s Experience: Spatiality, Tactility and Proprioception in Participatory Art

Summary/Abstract: The purpose of the article is to prove that the extension of the viewer’s experience in cinematic environments and audiovisual art includes corporeal and tactile experiences. In these works, audiovisual and spatial experience is connected with the viewer’s corporeal activity or reactions. The artworks which are made from tactile, proprioceptive and biofeedback experiences are made with experimental and research purposes in mind.

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