Roman Ingarden’s Approach to the Perception of the Picture Juxtaposed with Edmund Husserl’s Approach
Roman Ingarden’s Approach to the Perception of the Picture Juxtaposed with Edmund Husserl’s Approach

Summary/Abstract: The paper treats Roman Ingarden’s and Edmund Husserl’s approaches to the structure and to the perception of the picture: the picture-consciousness as the premise for perceiving the picture; particularity of the apprehension of the picture in comparison with the apprehension of the reality; the particular features of the painting as a thing, and the conscious intentional picture; characteristic features of perception of the colour and form of the objects. Besides, the paper treats the principles of the analogy and symbolism in perceiving the pictures.

• Details
• Contents