CROATIAN DRAMA AT MOSTAR’S PROFESSIONAL PUPPET STAGE Cover Image

HRVATSKA DRAMA NA MOSTARSKIM PROFESIONALNIM LUTKARSKIM POZORNICAMA
CROATIAN DRAMA AT MOSTAR’S PROFESSIONAL PUPPET STAGE

Author(s): Maja Lasić, Srđan Vukadinović
Subject(s): Theatre, Dance, Performing Arts, Sociology of Art
Published by: Vlada Brčko distrikta BiH
Keywords: Croatian Drama; Professional Puppet Scenes; Puppet Theater; Theater Puppet; Mostar; Production; Repertoire;

Summary/Abstract: The specificity of Mostar’s professional puppetstones, as well as those of all other theater theaters, is the action of two, two theaters. Each of these theatrical organisms originated from one unique, which as such operated until the beginning of the 1990s. In the aforementioned structural work of professional puppetry, these two theaters in Mostar are Puppet Theater and Theater of Puppet. The social circumstances, and especially those turbulent and deconstructive, which occurred in Bosnia and Herzegovina after 1992, had a great influence on culture and theater, in terms of duplication and sharing of everything that was common in the theater and cultural life of the City of Neretva. There is nowhere deep a division in either Bosnia and Herzegovina nor in the region, it has not reflected in such a way. Therefore, when it comes to the Mostar professional puppet stage, one or the other theater / theater cannot be bypassed. Completely identical should be treated the performances of nationally similar drama in both the one and the other theater. Of course, each of these theatrical organisms has its own repertoire and production profiling. In doing so, she, although doubled, tangles and forms the union of Mostar’s professional puppet shows.

  • Issue Year: 2018
  • Issue No: 3
  • Page Range: 198-209
  • Page Count: 13
  • Language: Croatian