(Ri)ndërtimi i tjetrit si proces e objekt i interpretimit në kufijtë e strukturës
(Re)construction of the other as a process and interpretation object at the structure's limit

Summary/Abstract: The definition of The Other in the Albanian literature is consequence of self-identification national, social, cultural and spiritual endeavor which begins with the romanticism during Albanian National Renaissance. In its early stages, this process was accomplished ‘out’ of texts for as long as structurally Albanian literature lived its naïve stage, without its subsequent complexity which relocated the respective phenomena inside the limits of literary text as dialectic relationship between the definition of ‘I’/’WE’ and ‘The Others’, in all its structural totality. Nevertheless until of the ‘80th of the XX century despite important changes in Albanian literature, one of rare inviolable categories remained the definition of ‘The Other’ expressed under unified cultural and ideological ‘out of literature’ platform which was disintegrated at the beginning of the ‘90th of XX century.We aim to represent an investigation on this case especially after ’90th e so on when this process continues on the absence this ‘out of literature’ platform. We used texts written by Fatos Kongoli and Ben Blushi as the most distinct representative in our judgment of the most important tendencies of this phenomena from the viewpoint of structural construction and relevant meanings made by a cultural instrument ‘The possible reader’ based on theoretically hybrid version ‘Eco-Fish’. In this sense ‘The Other’ is manifested at the limits of literary structure simultaneously as a process and an object done by interpretation.

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