The Path, Cyclicity and the Theatre (Or: On What Ground Do We Define the Term Universality, in the Context of the Theatre?) Cover Image

Патот, цикличноста и театарот (или: Врз кој темел го дефинираме поимот на универзалноста во контекстот на театарот?)
The Path, Cyclicity and the Theatre (Or: On What Ground Do We Define the Term Universality, in the Context of the Theatre?)

Author(s): Mirushe Hodja
Contributor(s): Saše Tasev (Translator)
Subject(s): Theatre, Dance, Performing Arts, Culture and social structure
Published by: Институтот за општествени и хуманистички науки – Скопје
Keywords: theater; universality; intercultural theater;

Summary/Abstract: Per was the name of a root, very old and very wide: it spread, or so they say, all the way from India to Europe. The traveler Julius Obedient, enchanted by roots, asked it one morning: O root, tell me, what does your name mean? The root answered: to try, to dare, to retaliate. Hypothetical, isn’t it – the traveler replied and continued his traveling so that he can see if what the root said was true. Finally, he met another root, whose name was peira. He turned to the root, asked what its name meant and found out peira is expirience. Then he turned to a different root, whose name was feraz. He learnt that feraz stood for peril, unexpected death.

  • Issue Year: 1/2001
  • Issue No: 1
  • Page Range: 137-143
  • Page Count: 7
  • Language: English, Macedonian
Toggle Accessibility Mode