КРИТИЧКИ ОСВРТ НА НЕКЕ ТЕОРИЈСКЕ ОКВИРЕ ФИЛМА
CRITICAL COMMENTARY ON SOME THEORETICAL ASPECTS OF FILM-MAKING INDUSTRY

Summary/Abstract: The author sets out from the marxist proposition according to which the art is a dialectical portion of social conscience so that he approaches the film from a wide sociological aspect. The author singles out a group of contemporary films oif a civil origin, deeply impressed by a psychologism, as are 'Bewitched', 'The Seventh Veil', 'It Happened Suddenly Last 'Summer'. 'Eva With Three Faces', and by analysing them from a given aspect - he is pointing at the absence of social frames of such films, at their tendency to appear indempendently from the social reality they are dealing with. Ih the classic works of art the unravelling of the plot develops objectively and naturally, while in such films we have a psychiatric and psycho-analytic solution, detecting of a traumatic "event," quite in the sense of Freud's teaching. That proves the ignorance of social conditionality. At the close, the author point out that such films represent but one expression of the contemporary social consciousness and anxiety of ideas. He points out, too, the necessity to show in critical surveys - also the social frames of such films.

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