UVODNIK
EDITORIAL

Summary/Abstract: In this edition of our Teatron magazine we carry the second and final part of our topical series on The New Political Theatre, which we started in the previous issue. After delving into the general phenomena relevant for the new political theatre and the theatrical scenes in our region (one of the prompts for exploring the topic was looking into the comparative experiences of neighbouring countries), the second part of this article is grounded in the exploration of experiences the theatres in Serbia have had so far. As we mentioned in the previous issue, there are several reasons why the concept of the new political theatre (or the concept of being political in the theatre and performing arts) in this context is mostly connected with the first decade of the XXI century.

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