Тригласна двойна фуга в стил органова триосоната – едно композиционно предизвикателство
A Three-voiced Double fugue in an Organ Triosonata Style – a Compositional Challenge

Summary/Abstract: This article concern a theoretical and composition experiment, writing a compound (double) fugue in the style of organ triosonata. This project includes using the style and idiomatic characteristics of the genre, as well as being a polyphonic experiment, using different types of invertible counterpoint. This is a part of a larger project, writing of six fugues, from three- to six-voiced ones, with two, three and four themes, and written in different styles – a Baroque one, as well as Romantic, late Romantic/Impressionist, and Hindemithian. This project studies the technical and creative challenges to the polyphonist and composer.

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