WOMEN AND BALKAN TRACES IN THE ART OF PAINTING: EREN EYÜBOĞLU Cover Image

RESİM SANATINDA KADIN VE BALKAN İZLERİ: EREN EYÜBOĞLU
WOMEN AND BALKAN TRACES IN THE ART OF PAINTING: EREN EYÜBOĞLU

Author(s): Semra ÇEVİK
Subject(s): Visual Arts, Evaluation research, Sociology of Art, History of Art
Published by: Kültür Ajans Tanıtım ve Organizasyon
Keywords: The Balkans; Eren Eyüboğlu; Woman Image; Modernity; Art of Painting;

Summary/Abstract: The image of woman has been an important subject of art since first ages. When we have a look at Turkish art of painting, it can be seen that the image of women has developed under the influence of European art movements. Painters of military origin, who were educated in schools belonging to Ottoman army or in Europe were the first artists to employ women image, though in a conservative way. In addition to being an image in painting, women were also practitioners of the art itself. The Ottoman Reform period was a time when mowen rights were handled, and though on a limited scale, woman identity was constructed. As a consequence, women began to have art education in Art School, where woman image in European fashion style, educated and Westers type appeared in painting.

  • Issue Year: 2018
  • Issue No: 40
  • Page Range: 218-230
  • Page Count: 13
  • Language: Turkish