Tiyatro ve Sinema Uyarlamaları Bağlamında Zaman-Uzam ve İmgelerin Söyleşimi: Federico Garcia Lorca Örneği
Time-Space in the Context of Theater and Cinema Adaptations and Dialogism of the Images: The Case of Federico Garcia Lorca

Summary/Abstract: According to the conception of the intellectual climate of this work, the image can be defined as the projection of an abstract or concrete entity in the mind. In this context, the question of where a projected image and bu real life ‘imagery differs in mind in a written text constitutes the main axis of this study. Mihail Bakhtin says that the relation between literature and actual reality can be established with timespace. At this point, the time-space, the chronotopia of a work appears within the framework of the centripetal and centrifugal relations that images establish with each other. In this study, through the relationship networks revealed by the dialogue between images; In the transformation of the literary images into the imaginary images and their adaptation, the paths followed by the intersection process will be followed. This view brings about adaptation studies and discusses the theory and basic practices. In this study, a different and creative adaptation is possible through a film text adapted from a literary text, at which point the images will be discussed in the context of time-space, how they communicate with each other and how they are transformed into each other.

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