Hangzás és versritmus Weöres Sándor Dob és tánc című versében
Sound and Rhythm in Drum and Dance Poem by Sándor Weöres

Summary/Abstract: Although Sándor Weöres’s love of Oriental cultures is well known, its vestiges have largely escaped critics’ attention. My essay consists of two parts. First, I highlight some relevant points of contact between Weöres’s poems and Oriental philosophy. On the basis of these, I proceed to consider one of Weöres’s poems. As the title of my essay indicates, I try to examine how the linguistic, compositional and acoustic aspects of the text interact. My hypothesis is that sound behaves as a constructive power in the development of the poem’s meaning. In this respect, Vedic religion may offer several parallels.

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