De l’effondrement de l’étalon-or au crépuscule des idoles dans Les Faux-monnayeurs d’André Gide
From the collapse of the gold standard to the twilight of idols in André Gide's “Les Faux-monnayeurs” (Counterfeiters)

Summary/Abstract: In André Gide’s Les Faux-monnayeurs, counterfeit money and characters flow in a plotbased on a circulatory system in which they seem to be interchangeable. Ideas flow as wellin the novel, creating a polyphonic intertextuality. Gide plays with his preferred authors,such as Nietzsche, whose claims are looked into in order to create a distance and questionthem. Such premises are held by cynical characters as well as the protagonist Bertrand,a positive nietzscheanist icon in his will to affirm himself and radically question upperclass and religious values. The money counterfeit takes its roots in the collapse of thegold standard in 1914’s France. Gide depicts a world in which all values’ authenticity areshaken, the counterfeit money serving as a metonymy to question Nietzsche’s arguments,often in an ironical way. Nietzsche’s ideas flow from a character to the next and seem tobe put to the test.

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