Идеологията и невъзможната й трансформация в масово комерсиално изкуство при социализма
Ideology and its impossible transformation into mass commercial art in the early decades of socialism

The mass song in the period 1944-1954: a tragicomic narrative

Summary/Abstract: Тhe decade of 1944-1954 marked a prominent rise of the mass-song, which became a major ideological genre. It is a genre-product that performs the ideological, state and public order of the Communist Party in tune with cultural engineering. It embodies the economy of socialist production of culture: provision with contractions at all levels, realization through sponsored state chambers, secured by contractions with state institutions in a hierarchical state order. The mass-song is created in the system of state socialized art of socialism designed by the civil engineering of socialism. Still, something prevents it from growing into commercial art - it hinders its ideological, adaptive, traumatic nature, offsetting anger and fears. Its disharmonious duality is the cause of its crisis after a decade of generously sponsored development. In the party papers officially published by the Union of Composers in 1954 and then (1956, 1958) instead of a succession of successes and conquests of a broad audience, in the mass-song, a collapse, poor performance, a crisis. In the 1970s, this led to its encapsulation.

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