Tematsko-fabularni nivo utjecaja balade Hasanaginica na dramu Hasanaginica Nijaza Alispahića
Thematic-fabular level of intertextuality (exemplified by intertextual relation between Hasanaginica balade and Hasanaginica drama written by Nijaz

Summary/Abstract: A written literature masterpiece is said to be created upon thematicfabular level of influence when the thematic and/or fabular elements of the oral literature are possible to be clearly recognized. Thus, the masterpiece could be created upon a sole thematic level of influence when the tale is spoken in a different way, and from different angle than it usually is. The existence of this level of the intertextuality could be proven by comparing the new masterpiece with a model, thus dealing with parts of mutual sameness, and missings. The missings could be established by a two-part analysis where the first part means finding the elements of the model that have not been used for the masterpiece creations; concerning the second part of the analysis a special attention should be paid to the elements that have been taken over from some other masterpiece of the oral literature. Both parts of the analysis use discovered motives in shorter or some longer entirety. The sameness for the model and for the masterpiece of the written literature could be complete and incomplete, and whether it is complete or incomplete can be decided upon by the analysis of shorter and longer entirety taken from the models. In doing that, it is necessary to pay attention to the transforming degrees of elements. This analysing system has been applicable to the Hasanaginica balade as well as the Hasanaginica drama written by Nijaz Alispahić.

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