Цветообразы как средство выражения антропоцентричности в художественных текстах Адама Мицкевица и их русских переводах
Colour images as a stylistic device revealing anthropocentricity in the poetry of A. Mickiewicz and its Russian translation

Summary/Abstract: The article focuses on the linguistic and stylistic analysis of blue tone colour images in the art system of A. Mickiewicz and the correlation of these colour images with their Russian equivalents. The article determines the paradigm of colour images, explores the semantic gradation of its constituent parts. The symbiosis of organic unity of perceptions of colour and light and the possibility to blend and merge the colour images of different semantic fields make this systematic organization one of the integral parts of A. Mickiewicz’s dynamic and infinite with respect to conveying additional meanings art world view. And hence, it determines its ability to perform a complex set of evaluative functions, transforming the art system into the efficient expressive means of author’s assessments and self-assessments.

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