ІРОНІЧНА ДЕКОНСТРУКЦІЯ НАЦІОНАЛЬНОГО МІФУ В РОМАНІ “ПРОЩАННЯ” СТАНІСЛАВА ДИГАТА
IRONICAL DECONSTRUCTION OF THE NATIONAL MYTH IN THE NOVEL "FAREWELL" BY STANISLAV DYGAT

Summary/Abstract: Research purpose: the analysis of key images in the novels of S. Digat and H. Sienkiewicz which, at the same time, became signs of Polish culture, the study of the irony means influence on them, changes in the perception and interpretation of the data readersrecipients of these symbols, possible destructive changes in the system of the literary canon. Methods of research: comparative – for comparison of national symbolic images, showing their development in historical and cultural dynamics; the historical comparative method has allowed to outline and motivate the ideological guidelines of the authors, to explain the reasons for choosing a certain system of irony expression; methods of receptive poetics and criticism of the reader's response allowed to follow the reader's intention to apply irony, possible vectors for reading texts; post-structuralism and deconstruction allowed to analyze the ironic component of each image, to take into account historically motivated world-view changes of the scriptor and recipient, to explain the choice of forms of irony expression, and to prove, that after reconstructing one mythological symbol-image, another structure emerges on its basis; the biographical method allowed to express assumptions about the sources of the ironic intentions of S. Dygat, to show the limits of deconstructing the national myth which he did not dare to transgress.

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