Новий театр Леся Курбаса: вимоги до заглиблення актора в образ
A New Theater of Les Kurbas: Requirements to the Deepening of the Actor into the Image

Summary/Abstract: The purpose of the article is to highlight the main features of the actor's deepening into the image through the new methods of educating the actors of the Les Kurbas Theater. The methodology of the research is based on the principle of the cultural-historical approach. Methods are used: evolutionary, comparative-historical, functional. Scientific novelty is the selection of the features education of L. Kurbas actors in the process of deepening into the stage image and new means of acting mastership. Conclusions. With the requirements to the actor's increasing into the model in the context of the formation of the new theater, Les Kurbas multiplied the modern world experience of the theatrical culture, strengthened and continued the communications of the creative search for the ways of actor’s impersonation. For the contemporary generation of actors, the experience of the theatrical mastery of the famous Ukrainian and foreign figures of the theatrical culture is essential: B. Brecht, N. Evreinov, G. Yura, О. Kurbas, Vs. Meyerhold, K. Stanislavsky, G. Craig, etc. Their approach to the formation of the image on the stage, allows us to reveal the reformist ideas of acting, differentiate their essence and define their school with the appropriate principles and methods of acting.

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