Сонати О. Скрябіна як репертуарний здобуток одеських піаністів
Sonatas A. Skrjabin as Repertory Achievement of Оdеssa Pianists

Summary/Abstract: The purpose of the article is a trailing of the depth of the influence Odessa music-cultural ambiance on Skryabin and intensities of the assimilation inheritance Skryabin in Odessa on example piano offerings and creative searching for Mystery, on the material of the stocking up which were formed up three last Sonatas creator "Prometheus." Methodology emerges the intonation approach of the school B. Asafjev in Ukraine, noted forming in him of the style comparative analysis and history, hermeneutic foreshortening of the musicology method. Scientific novelty of the work is based on concepts of deep sense achievements to salon art Odessa, confidence to which has formed by еnthusiasn of acceptance an Odessa public of the pianist and composer A.Skrjabin in 1898 year, as well as unconditional honouring of music abstraction рrоmystery image-that three last Sonatas of the composer, which have formed music themes of Mystery. Conclusions. Piano school to Odessa had an essential headwaters in the success of the first night of the piano concerto in 1898, which has pawned piety of Skrjabin on essences salon основ his pianism and composition. In Skrjabin composition, ecstatic lyrics discharges profound theatrical antithesis in favor of the mоnоlоgue all embracing joy Overcoming of dramatic/tragedy to being, which entailment dares the handhold on Skrjabin chiming. Mystic generalization of Skrjabin chiming. Withstands the naturalism a Russian Heel and Rachmaninov, but has general with them headwaters in an orthodox instrumental type of church ringing, inseparable from an abstraction of dancing manifestation to sounding.

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