ПРОБЛЕМИ ТВОРЧОЇ ТА ОРГАНІЗАЦІЙНО-ПРАКТИЧНОЇ ДІЯЛЬНОСТІ КОМПОЗИТОРА ДРАМАТИЧНОГО ТЕАТРУ В ОСМИСЛЕННІ ОЛЕКСАНДРА РАДЧЕНКА
THE PROBLEMS OF ORGANIZATIONAL AND PRACTICAL ACTIVITIES OF THE COMPOSER OF DRAMA THEATRE IN THE COMPREHENSION OF OLEKSANDR RADCHENKO

Summary/Abstract: The purpose of the article is to outline the range of issues connected with composer’s work in drama theatre, carried out by O. Radchenko, direct participant of the theatrical process. The methodology of the research is based on a combination of historical, biographical and analytical methods. The scientific novelty in the discourse is represented with letters, reports and other texts by O. Radchenko dedicated to issues of work on the musical part of drama performance in the unity of creative and organizational aspects. Conclusions. The analysis of utterances by O. Radchenko in their different forms about the role and place of composer in work on performance and generally in theatre allows us to estimate the completeness and profoundness of artist’s awareness of specificity of this work that combines creativity (music creation and its orchestration or selection of material for musical arrangement) and organizational part (writing “abstracts on music” and comments for clavier with descriptions of duration of each element, duties of conductor, choirmaster, concertmaster, teaching actors solfeggio).

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