ВНЕСОК УКРАЇНСЬКИХ АВТОРІВ В РОЗВИТОК ДИТЯЧО- ЮНАЦЬКОЇ МУЗИКИ В ХХ СТОЛІТТІ (НА ПРИКЛАДІ АНАЛІЗУ ФОРТЕПІАННОГО КОНЦЕРТУ В. КОСЕНКА)
THE CONTRIBUTION OF UKRAINIAN COMPOSERS TO THE DEVELOPMENT OF YOUTH MUSIC IN THE TWENTIETH CENTURY (ON THE EXAMPLE OF THE ANALYSIS OF THE PIANO CONCERT OF V.KOSENKO)

Summary/Abstract: The purpose of the work. Identify the stylistic principles of V. Kosenko's Piano Concerto for their inscription in the paradigm of the Ukrainian musical culture of the twentieth century and as the national embodiment of its youth component. Methodology. At the heart of the study is an intonational approach, in which the style-comparative, hermeneutical, culturological methods and usage are highlighted, which makes it possible to assess Kosenko's authorial identity as a product of the national cultural thought of the past. Scientific novelty. For the first time in the analysis, V. Kosenko's Piano Concerto is presented in correlation with the works born of the youth expansion (the "new youth" of the Sixties era) of the 1920s, whose rigid atradiationalism gives birth in a national thought a turn from opera and vocal-choral classics of Ukrainian music to demonstrative instrumentalism , but in unity with appeasement to the stylistic synthesis of romantic tradition and symbolist manifestations of modernity.

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