МАКРОЦИКЛИ ЯК ЛОКУСИ ІНТЕРТЕКСУАЛЬНОГО СМИСЛОУТВОРЕННЯ (НА МАТЕРІАЛАХ АНСАМБЛЕВОЇ ТВОРЧОСТІ УКРАЇНИ ОСТАННЬОЇ ТРЕТИНИ ХХ – ПОЧАТКУ ХХІ СТОЛІТЬ
MACROCYCLES AS THE LOCUS OF INTERTEXTUAL SENSE FORMATION (ON THE MATERIALS OF THE ENSEMBLE CREATIVITY OF UKRAINE OF THE LAST THIRD OF THE XX – EARLY XXI CENTURIES)
Author(s): Anastasia Igorivna KravchenkoSubject(s): Music, Transformation Period (1990 - 2010)
Published by: Національна академія керівних кадрів культури і мистецтв
Keywords: chamber ensemble; intertextuality; auto intertextuality; macrocycles of memory; author's macrocycles; macro idea;
Summary/Abstract: Purpose of the article. The aim of the article is to investigate the processes of the semiological and aesthetic-cultural reflection of the intertextual strategy of modeling the artistic and semiotic integrity of the works of chamber art of Ukraine in the last third of the 20th and beginning of the 21st centuries and the related influence of the intertextual potential of musical structures on the formation of symbolic macrocycles in the hypertextual space of musical consciousness. Methodology. Theoretical-musicological, semiotic, intertextual, cultural-hermeneutical methods of analysis have been applied. Scientific Novelty. The deployment of symbolic macrocycles in the hypertextual dimensions of musical consciousness is revealed.
Journal: Мистецтвознавчі записки
- Issue Year: 2018
- Issue No: 33
- Page Range: 413-420
- Page Count: 8
- Language: Ukrainian
