ТВОРЧЕСТВО С. РАХМАНИНОВА В КОНТЕКСТЕ МУЗЫКАЛЬНОЙ КРИТИКИ НАЧАЛА ХХ ВЕКА
S. RACHMANINOV’S OEUVRE IN THE CONTEXT OF MUSICAL CRITICISM OF THE EARLY TWENTIETH CENTURY

Summary/Abstract: Purpose of the article is to unfold contradictions in the assessment of S. Rachmaninov’s creativity by the broad audience of contemporaries, which didn’t want to peek for “outer shell” of Rachmaninov’s works. The methodology is composed of the logical-theoretical and historical-cultural analysis of facts and phenomena. The basis was the integral approach, as well as methods relating to the humanitarian approach to the study of sociocultural phenomena, which are based on the study of the process of communication between stage performance and perception by its listeners, critical assessments in the press. Scientific Novelty. The S. Rachmaninov’s creativity is examined for the first time in the aspect of the contradictions of critical assessment by his contemporaries.

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