УКРАЇНСЬКІ НАРОДНІ ПІСНІ ДЛЯ ТРЬОХ СКРИПОК В ОПРАЦЮВАННІ БОРИСА КУДРИКА ЯК ПРОЯВ ЕСТЕТИКИ БІДЕРМАЄРУ
UKRAINIAN FOLK SONGS FOR THREE VIOLINS ADAPTED BY BORYS KUDRYK AS AN AESTHETICS ATTRIBUTE OF BIEDERMEIER

Summary/Abstract: The purpose of the article is to consider Borys Kudryk’s cycle of Ukrainian folk songs adapted for three violins in the context of the artistic and aesthetic properties of Biedermeier, attributes of which had been traced in the musical art of the interwar Galicia. The methodology is to combine an analytical method with a contextual one in order to determine firstly, the stylistic features of the composer’s approach to the folk primary sources of different genres, reflected in the ensemble composition, types of texture, harmonic techniques, etc.; and, secondly, to highlight close ties between B. Kudrick’s activities as a composer, musicologist and an educator. Scientific novelty of the article lies in the characterization of the little-known composition.

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