«GLORIA» Ф. ПУЛЕНКА В КОНТЕКСТІ ТРАДИЦІЙ ХРИСТИЯНСЬКОГО СЛАВОСЛІВ’Я: ОБРАЗНО-СМИСЛОВІ І ЖАНРОВО-СТИЛЬОВІ АСПЕКТИ
«GLORIA» BY F. POULENC IN THE CONTEXT OF THE TRADITIONS OF CHRISTIAN GLORIFICATION: FIGURATIVE-SEMANTIC AND GENRE-STYLE ASPECTS

Summary/Abstract: The purpose of the article is to reveal the poetic-intonational features of F. Poulenc's «Gloria» in the vein of the «neo-canon» of the mass of the 20th century, as well as the peculiarities of translating the poetics of the Christian musical and Slavonic tradition. The methodology of the work is based on the intonational concept of music in the perspective of the intonational-stylistic, etymological analysis inherited from B. Asafiev and his followers, as well as on interdisciplinary and culturological approaches. The latter allows us to identify the spiritual and semantic and style specificity of F. Poulenc's «Gloria» in the context of not only the individual author’s style but also the evolutionary paths of the spiritual choral art of Europe.

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