РИТМІЧНА АЛЬТЕРАЦІЯ У ФЛЕЙТОВОМУ ВИКОНАВСЬКОМУ МИСТЕЦТВІ XVIII СТОЛІТТЯ
RHYTHMIC ALTERATION IN THE FLUTE PERFORMING ART OF THE 18TH CENTURY
Author(s): Ihor YermakSubject(s): Music, 18th Century, History of Art
Published by: Національна академія керівних кадрів культури і мистецтв
Keywords: rhythm; rhythmic alteration; notes inégales; the rhythm of the French overture; flute performing arts; musical art of the 18th century;
Summary/Abstract: Purpose of the article. Consider the specifics of the performance of rhythm in flute music of the 18th century. Systematize instructions and rules from flute treatises of this period (J.-M. Hotteterre /1707/, M. Correttе /1740/, J.J. Quantz /1752/, C.P.E. Bach /1753/, T. Borde /1755/, J.G. Tromlitz /1791/). Methodology. The article applies source study, historical, analytical and performing research methods. Scientific novelty. For the first time in domestic musicology, the basic rules for working with rhythm, presented in ancient flute treatises, are systematized. This allows us to see the dynamics of the development of views on the problem of rhythmic alteration in the flute performing art of the 18th century and apply this knowledge in pedagogical and concert activities.
Journal: Мистецтвознавчі записки
- Issue Year: 2019
- Issue No: 35
- Page Range: 316-322
- Page Count: 7
- Language: Ukrainian