PIANO CREATION BY S. PYSLARI: GENERAL CHARACTERISTICS, STYLISTIC FEATURES Cover Image

ФОРТЕПИАННОЕ ТВОРЧЕСТВО СНЕЖАНЫ ПЫСЛАРЬ: ОБЩАЯ ХАРАКТЕРИСТИКА, ЧЕРТЫ СТИЛЯ
PIANO CREATION BY S. PYSLARI: GENERAL CHARACTERISTICS, STYLISTIC FEATURES

Author(s): Dmitri Kabakov, Svetlana Ţircunova
Subject(s): Music
Published by: Academia de Muzică, Teatru și Arte Plastice
Keywords: Snejana Pyslari; piano miniature; romanticism, minimalism; repetitive technique; postmodernism;

Summary/Abstract: In the article we characterize the piano compositions by S. Pyslari created in the 1990s and 2010s. They demonstrate the evolution of the composer's style which manifests itself in its movement from romanticism to the synthesis of modern compositional techniques. It is the lyrical images that dominate in the miniatures composed in the 1990s, the musical dramaturgy evolves within the framework of classical thematism, the modal thought is carried out in the form of harmonic tonality, the texture is constructed as a homophone-harmonic one. The 2010s opuses show folkloric orientation and relation to repetitiveness. They refer to the pedagogical repertoire of music schools, based on folkloric material, demonstrating the use of variation, variance and striet repetition as means of tonal and thematical development.

  • Issue Year: 2019
  • Issue No: 1(34)
  • Page Range: 30-35
  • Page Count: 6
  • Language: Russian