Використання народнопісенних інтонацій у хоровій творчості закарпатських композиторів у контексті полікультурного розвитку краю
Use of Folk Intonations in Choral Art Transcarpathian Composers in the Context of Multicultural Development of the Region

Summary/Abstract: The purpose of the article is to reproduce a complete picture of the development of choral art in Transcarpathia through the prism of using folk-written intonations. The methodology consists of studies on the history of the world culture of the twentieth century, studies of creativity of Transcarpathian composers, theoretical works, articles, and materials. Research methodology involves the use of methods of historical and theoretical musicology, systematic and analytical methods, as well as methods of comparison, analysis, and synthesis, which helped to formulate conclusions. The scientific novelty of the article is to study the multicultural phenomenon of the choral creativity of Transcarpathian composers. A comparative analysis of the peculiarities of the use of folk-written intonations in the choral works of Transcarpathian composers has been carried out for the first time. Conclusions: the folk song was crucial for forming the creative style of the composers, the approach to the use and processing of folklore material in the creativity of the composers of Transcarpathia was significantly different.

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