Музикознавче акме Наталії Савицької: на шляху до музикологічної акмеології
Musicological Acme of Nataliia Savytska: On the Way toward Musicological Acmeology

Summary/Abstract: Purpose of the Article is to reveal the essence of musicological acme of Nataliia Savytska on the basis of laying the groundwork for musicological acmeology. The research methodology is based on the interdisciplinary approach, the fundamental principles of musicology, and the acmeocentric approach applied for the sake of relying on a set of methods of acmeological sciences in order to systematically study the path of the musician-artist to professional and creative excellence. The novelty consists in revealing the essence of the musicological acme of N. Savytska, the introduction of the concept of musicological creative life, the substantiation of the need for the development of musicological acmeology. The study investigates this issue by examining the structure of age-specific musicology – the scientific invention of N. Savytska: its second type involves an analysis of the musicologist’s creative life from the perspective of the evolution of scientific thinking; the third kind is aimed at studying the performer’s personality, performing creative life – the embodiment of age-specific changes in the development of the creative person. The methodology of the age-specific musicology activates on completing the creative life of an individual: then the creative life arc, drawn by the soul and the work of the artist, is built up in full; there is a distancing from observing its acmeogram of the research eye. The last research by N. Savytska is an expression of musicological acme: the embodiment of flourishing talent, the perfection of scientific thought, spiritual and professional maturity, the culmination of musicological creative life, which is distinguished by the ability to provide an objective assessment of her own scientific concepts and reflections, conceptuality and laconicism. Studying the top achievements of a scientific and creative personality in the process of individual development of a career life of a musician/musicologist requires laying the groundwork for musicological acmeology – an interdisciplinary science of professional self-perfection of the artist. The structure of fundamental acmeology, formed by the system of acmeological sciences, should include musicological acmeology based on the interdisciplinary interaction of history, biographical studies, psychology, pedagogy, cultural studies, sociology, the classical directions of the art of music, with a view to comprehensively studying the personality of the musician-artist, who achieved the high point of his/her career. Conclusions. In the person of N. Savytska-musicologist, whose works are distinguished by the peculiarity of the research “writing style”, the free combination of the philosophical and artistic type of thinking, scientific generalization and the literary layout, the beauty of a wise woman has been formed. The path of the creative life of N. Savytska demonstrates the penchant for rising to eminence in her profession, the excellence of the scientific work inherent in the heroic figure of musicological acmeology. The culmination of the life arc of N. Savytska coincided with the end of the musicologist’s life. The personality of N. Savytska meets the criteria of professional and personal excellence of the scientific and creative subject, who is at the top of musicology, symbolizing the stability of the results on the way to achieving the acmeological time-space.

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