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Tennessee Williams’s Plastic Theatre
Tennessee Williams’s Plastic Theatre

Author(s): Esmeralda Subashi
Subject(s): Theatre, Dance, Performing Arts, Theory of Literature, American Literature
Published by: Filološki fakultet, Nikšić
Keywords: plastic theater; use of a screen; cinematic techniques; memory play; expressionistic drama; figure of the narrator; extra-literary effects; Hollywood; male gaze; bold symbolism; popular dramatist;

Summary/Abstract: This article addresses the main features of Tennessee Williams’ expressionistic drama The Glass Menagerie as an example of plastic theatre, a concept introduced by the author himself in his preface to his most experimental play. The most obvious elements of plastic theatre employed by Williams in The Glass Menagerie were: the use of a screen on which themes, titles and pictures were shown at critical moments; the use of a recurring musical motive as leitmotiv; the use of cinematic techniques; the use of lighting that appears unreal to allow for the memory-based format of the play; and the use of an unrealistic set and set pieces in a symbolic way. These techniques focus not on realism but on the truth of the human emotions.

  • Issue Year: 2010
  • Issue No: 1-2
  • Page Range: 263-275
  • Page Count: 13
  • Language: English
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