Внутрішній музичний рух у концертних хорових творах Максима Березовського. На прикладі концерту «Тебе Бога хвалим» С-dur, № 1
Internal music movement in concert choral works of Maksym Berezovsky. On the example of the concert, "You praise God” C-dur, № 1

Summary/Abstract: The purpose of the article is through an analytical study to show how Maksym Berezovsky achieves the effect of intense musical movement in choral concert works. The methodology of the study is to use methods of analysis, synthesis, generalization, historical, causal and comparative. The mentioned issue allowed revealing the peculiarities of the compositional method of Maksym Berezovsky, which approximated the understanding of the specifics of his style. The analytical method allowed to reveal the characteristics that make it possible to follow the process of stylistic transition from baroque aesthetics to a new classical in the national choral art of the XVIII century. Scientific novelty: for the first time, the recently discovered chorus concert by Maksym Berezovsky "You praise God." C-dur, No. 1. Regarding interpretive capabilities. It turns out how the composer achieves a sense of strong internal movement, which dynamizes and dramatizes the texture. It ultimately affects the form of the work. Based on traditional techniques and contemporary research on psycho-neurological peculiarities of the perception of a musical composition (in the field of choral ensemble and texture). An attempt is made to find out how work is altered in the process of artistic interpretation and what tools the composer uses to enhance his expressiveness. Conclusions. Thanks to the heightened sense of musical motion of Maksym Berezovsky, it is the procedural nature of the internal musical movement becomes immanent quality, which is the specificity of its style, which distinguishes its work from the creators of the previous and subsequent eras.

• Details
• Contents