Музично-стильові форми відтворення національної ідеї у творчості українських композиторів (1920 – 1930-х рр.)
Musical-style forms of reproduction of the national idea in the work of Ukrainian composers (1920 – 1930's)

Summary/Abstract: The purpose of the article. To study and analyze the influence of the national idea on the formation of musical-stylistic ideas and the peculiarities of their reproduction in the musical heritage of Ukrainian composers from the 1920's and 1930's. The methodology of this research is an organic set of basic principles of analysis: objectivity, historicism, multifactorial approach, systematicity, complexity, development and pluralism, and to achieve the purpose of the study, the following methods of scientific knowledge have been used: problem-chronological, concrete historical, statistical, descriptive, logical-analytical. Scientific novelty of the work is to highlight musical-stylistic ideas and peculiarities of their reproduction, in the context of the influence of the national idea, by analysis of the creative heritage of the Ukrainian composers of the 1920-1930's. Conclusions. As a result of the study of the influence of the national idea on the formation of musical-stylistic notions and the peculiarities of their reproduction in the musical heritage of the Ukrainian composers of the 1920's and 1930's, the characteristic features of the general aesthetic plan made by Ukrainian composers to the national musical culture revealed chambers as a type of thinking with its distinctive details for excellent work of particulars, a sharpened sense of stylistic unity of all components of musical fabric, "secession" illumination of the all-romantic type of expression.

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