От песен към художествена форма в инструменталната музика
From Song to Art Form in Instrumental Music
Song’s Genre and Style Trajectory in the Development of Instrumental Thinking
Author(s): Snezhina VrangovaSubject(s): Fine Arts / Performing Arts, Music
Published by: Издателство НМА „Проф. Панчо Владигеров”
Keywords: development; art form; instrumental song; cantability; aria; romance;
Summary/Abstract: In light of its primordial nature, song’s importance as a progenitor of artistic forms is particularly noteworthy. Song stimulated instrumental genres that had become separated from it in the 16th and 17th centuries. Instrumental genres and song coexisted in a wide range of categories. The most significant were as thematic foundations and structural models, both of which affirm song’s status as a source for instrumental forms and establish its preeminence from the 17th century to the present. A historical and comparative approach to instrumental song in representative works of Bach, Handel, Mozart, Beethoven, Schubert, Schumann, Liszt, Thalberg, Tchaikovsky, Vladigerov, Nenov, Pipkov, creates a dynamic map. This text offers a contextual focus by tracing the path of song in instrumental music throughout the Baroque, Classical and Romantic eras. In addition, this paper examines the role of song in early 20th-century Bulgarian music by highlighting some of its structural and linear aspects in modern compositional techniques.
Journal: Академичен форум »Интегрална музикална теория«
- Issue Year: 2016
- Issue No: 1
- Page Range: 116-129
- Page Count: 14
- Language: Bulgarian